Born in 1935 in Paide, Estonia, Arvo Pärt studied piano at the Tallinn Conservatory. He first worked as a sound engineer for Estonian Radio before composing his earliest works. His first creative period (1958–1968) was characterized by a neo-classical style, during which he experimented with new compositional techniques, including chance procedures, collage, and a variety of acoustic textures. This period produced works such as Nekrolog, Perpetuum Mobile, Collage sur B-A-C-H, and Pro et Contra. His composition Credo (1968), which juxtaposes two musical worlds—Bach’s Prelude in C Major and Pärt’s own twelve-tone writing—reveals his growing attraction to Christian spirituality.The Soviet authorities' censorship of Credo led Pärt into several years of creative silence. During this time, he sought a new musical language, immersing himself in Gregorian chant, the music of the Notre Dame School, and Renaissance polyphony. Für Alina (1976) marked the birth of his distinctive tintinnabuli style. It was followed by a series of works in the same idiom, including Tabula Rasa, Cantus in Memory of Benjamin Britten, Fratres, and Summa (1976–1977).In 1980, Arvo Pärt left the Soviet Union, first settling in Vienna, where he signed with Universal Edition, before moving to West Berlin. In 1985, the Alban Berg Foundation commissioned Stabat Mater. This was followed by Te Deum (1985, Cologne), Miserere (1989, Seine-Maritime Summer Festival), Berliner Messe (1990, Berlin), Silouan’s Song (1991, Rättvik), Cecilia, vergine romana (2000), Lamentate (2002), Da pacem Domine (2004), and Symphony No. 4, "Los Angeles" (2008), premiered by the Los Angeles Philharmonic under the direction of Esa-Pekka Salonen. Arvo Pärt has been an honorary member of the Royal Swedish Academy of Music since 1991 and of the American Academy of Arts and Letters since 1996. He has lived once again in Estonia since 2010.

Arvo PärtComposer