Born in 1980 in Slovenia, Boštjan Antončič started dancing in Plesni forum Celje with Goga Stefanovič-Erjavec and continued training at the Salzburg Experimental Academy of Dance (SEAD), where he danced in projects by Matjaž Farič, Susan Quinn, Mia Lawrence, and Matej Kejžar, and created his own performances. He taught workshops in Slovenia and around Europe, at the High School for Contemporary Dance in Slovenia and SEAD in Salzburg. In 2005, he joined Rosas, where he danced in many productions, including D’un soir un jour (2006), Bartók/Beethoven/Schönberg—Repertory Evening (2007), Steve Reich Evening (2007), Zeitung (2008), The Song (2009), En Atendant (2010), Cesena (2011), Drumming, Vortex Temporum (2013), Work/Travail/Arbeid (2015), Mitten wir im Leben sind/Bach6Cellosuiten (2017) and The Six Brandenburg Concertos (2018). Recently, he danced in the series of museum projects Dark Red, in the revival of Atendant (2022) and in Forêt (2022). Boštjan Antončič also takes part in Il Cimento dell’Armonia e dell’Inventione (2024).

At the Paris Opera: Così fan tutte, 2017; The Six Brandenburg Concertos, 2019&nbsp;