Born in Geneva, Ève-Maud Hubeaux first studied piano at the Lausanne Conservatory before embarking on vocal studies. It was from the opera studio of the Opéra national du Rhin in Strasbourg that she developed her international career.She is the winner of numerous competitions, including the Belvedere International Competition (2013) and the 5th Renata Tebaldi International Competition. Major engagements in recent seasons include Laura (La Gioconda) at the Salzburg Easter Festival and Teatro di San Carlo in Naples, Gertrude (Hamlet), Clairon (Capriccio) and Amneris (Aida) at the Salzburg Festival and Savonlinna Festival, the title role in Carmen at La Monnaie Brussels, Deutsche Oper Berlin, Vienna Staatsoper, San Francisco Opera and La Monnaie Brussels, Princess Eboli (Don Carlos) at Vienna Staatsoper, Berlin Staatsoper Unter den Linden and Grand Théâtre de Genève, Judith (Bluebeard's Castle) at Opéra national de Lyon, Brangäne (Tristan and Isolde) at Opéra national de Lyon and La Monnaie de Bruxelles, Baba la Turque (The Rake's Progress) in Basel, the Handel roles of Nerone (Agrippina) and Cornelia (Giulio Cesare), as well as the title role in Lully's Isis, again under Christophe Rousset, Mère Marie (Dialogues des carmélites) at the Vienna Staatsoper and Concepcion (L'Heure espagnole) at the Palau de les Arts Reina Sofia in Valencia.In the 2025-2026 season, her roles include Adalgisa (Norma) at the Théâtre des Champs-Élysées, Phébé (Castor et Pollux) at the Grand Théâtre de Genève, and the title role of Carmen and Amneris at the Semperoper in Dresden.At the Paris National Opera: Der Rosenkavalier (Annina), 2016; Don Carlos (Thibault), 2017; Wozzeck (Margret), 2017; Don Carlo (Thibault), 2019; Madame Butterfly (Suzuki), 2019; Le Soulier de satin (Dona Prouhèze), 2021; Hamlet (Gertrude), 2023; La Vestale (the High Priestess), 2024; Das Rheingold (Fricka), 2025; Aida (Amneris), 2025

Eve-Maud HubeauxMezzo-soprano