Felice Ross has designed lighting for theater, opera, art installation, and ballet productions in Europe, Korea, Israel, Great Britain, South Africa, Japan, and the United States. Her designs have been featured at the Tel Aviv Opera (The Barber of Seville, The Medium), the Warsaw National Opera (The Queen of Spades, Don Carlo, Ubu Roi, Wozzeck), the Bayerische Staatsoper in Munich (Eugene Onegin, The Woman Without a Shadow, Tristan and Isolde, Dido and Aeneas), Staatsoper Unter den Linden in Berlin (The Rake's Progress, Sleepless, and Rusalka); La Monnaie in Brussels (Médée, Macbeth, Lulu, and Don Giovanni); Teatro Real in Madrid (Poppea e Nerone); and the Festival d'Aix-en-Provence (Le Triomphe du temps et de la désillusion, , L'Ange ardent), the Amsterdam National Opera (Wozzeck), the Grand Théâtre de Genève (Voyage vers l'espoir), the Ghent Opera (L'Affaire Makropoulos), the Salzburg Festival (Les Bassarides, Elektra, Macbeth, The Idiot, and Aida), the Ruhrtriennale (Le Radeau de la Méduse), , Pelléas et Mélisande, and Evolution, with music by Ligeti; the Opéra national du Rhin and the Bunka Kaikan in Tokyo for Le Pavillon d'or; the Royal Opera House in London for From the House of the Dead; and the Hamburg State Opera for Tannhäuser. In 2018, she was honored by Sir Paul McCartney as a Companion of the Liverpool Institute of Performing Arts. In recent seasons, she has designed the lights for Tosca, Le Grand Macabre and Kátia Kabanová at the Bayerische Staatsoper in Munich, Rusalka at the Staatsoper Unter den Linden in Berlin, OMBRA at the Opéra Ballet de Flandre and Salomé at the Grand Théâtre de Genève.At the Opéra national de Paris: Iphigénie en Tauride, 2006; L'Affaire Makropoulos, 2007; Parsifal, 2008; Le Roi Roger, 2009; Le Château de Barbe-Bleue / La Voix humaine, 2015; Don Carlos, 2017; Don Carlo, 2019; Lady Macbeth de Mzensk, 2019; A Quiet Place, 2022; Hamlet, 2023.

Felice RossLighting designer