Member of the Chœurs de l'Opéra national de Paris Laurent Laberdesque began his musical career by learning to play the trumpet before turning to singing. After graduating from the Conservatoire de Pau, he entered the Conservatoire National Supérieur de Musique de Paris in 2007. During his training, he performed several opera roles, including Moralès et le Dancaïre (Carmen), Baron Douphol (La Traviata), the Jailer (Dialogues des carmélites) and Figaro (The Marriage of Figaro) at the Cité de la Musique. He has also appeared in operettas such as L'Amour masqué (Baron d'Agnot), La Veuve joyeuse (Danilo) and La Périchole (Panatellas).In 2011, he made his debut at the Opéra national de Lyon in Tristan et Isolde (Timonier) and took part in the world premiere of Levinas' La Métamorphose (Locataire) at the Opéra de Lille. He also sang Slook (La Cambiale di matrimonio) and Germont (La Traviata) at the Linières Festival. Laurent Laberdesque is a regular recitalist, performing Poulenc's Chansons gaillardes, Fauré's L'Horizon chimérique, Mahler's Kindertotenlieder and Ibert's Chansons de Don Quichotte. He is also in demand for sacred music (Rossini's Petite Messe solennelle, Schubert's Messe en sol, Mozart's Missa Brevis, Lully's Motets, Liszt's Via Crucis...). Since 2013, he has been a member of the Chœurs de l'Opéra national de Paris, where he appears regularly as a soloist.At the Opéra national de Paris: Les Contes d'Hoffmann (Hermann), 2016; Le Barbier de Séville (un ufficiale), 2016; Le Chevalier à la rose (ein Hausknecht), 2016; Lohengrin (ein Brabantische Edel), 2017; La Force du destin (un chirurgo), 2019; Manon (Deuxième Garde), 2020, 2022; Cendrillon (le Surintendant des plaisirs), 2023

Laurent LaberdesqueBaritone