After studying musicology in Nice, Mathias Vidal studied singing with Christiane Patard and entered the Conservatoire National Supérieur de Musique de Paris. He has taken part in numerous productions of operas by Monteverdi, Rameau, Lully, Campra and Boismortier. He has also sung Aristée and Pluton (Orphée aux Enfers), the Brazilian (La Vie parisienne), Piquillo and Don Pedro (La Périchole), Lorenzo (Fra Diavolo), Orestes (La Belle Hélène), Camille de Coutançon (La Veuve joyeuse), the title role in Offenbach's Barbe-Bleue, Médor (Les Chevaliers de la Table Ronde). He performs Italian bel canto roles such as Ernesto (Don Pasquale), Elvino (La Somnambule), Count Almaviva (The Barber of Seville), Ramiro (La Cenerentola), as well as those of the modern and contemporary repertoire, including the title role in Zemlinsky's Le Nain, Pécou's L'Amour coupable, Sauguet's Les Caprices de Marianne, and the premiere of Menut's Fando et Lis. Last season, he sang the title roles of Platée at the Opernhaus Zurich and the Opéra Royal de Versailles, Atys at the Théâtre des Champs-Élysées and on tour, Nadir (Les Pêcheurs de perles) at the Théâtre du Capitole de Toulouse, Abaris (Les Boréades) in Oldenburg, Aristée et Pluton in Berlin, Don Quichotte (Don Quichotte chez la duchesse), Abaris (Les Boréades) and Belmonte (L'Enlèvement au sérail) at the Opéra Royal de Versailles. In the 2024-2025 season, he plays Tamino (The Magic Flute) at Versailles, the title role in Persée at the Théâtre des Champs-Élysées, Valère at the Teatro Real in Madrid, at La Seine Musicale and then in Lyon, and Aristée et Pluton at the Théâtre du Capitole in Toulouse. At the Opéra national de Paris: The Magic Flute (Monostatos), 2019; Les Indes galantes (Tacmas, Valère), 2019; Platée (Thespis), 2022; Salomé (Vierter Jude), 2022; Les Brigands (the Prince of Mantua), 2024

Mathias VidalTenor