When the dancers return, it's time to start rehearsing L'Histoire de Manon, but for the technical side, this show, that has never left Paris before, is a complex challenge. This documentary is supported by Lexus, official car of the Opéra national de Paris, the Orange Foundation, patron of the Opéra's audiovisual broadcasts, and the Cercle POP, patron of the Opéra's audiovisual and digital projects.

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Dancing in Tokyo: the secrets of a tour - Trailer

Dancing in Tokyo: the secrets of a tour - Episode 6

When the dancers return, it's time to start rehearsing L'Histoire de Manon, but for the technical side, this show, that has never left Paris before, is a complex challenge.This documentary is supported by Lexus, official car of the Opéra national de 

Episode 6 - Rehearsal under pressure

Dancing in Tokyo: the secrets of a tour - Ep.6/7

Taking down Swan Lake and setting up the next ballet, L'Histoire de Manon, as the dancers take a break and visit Japan.   This documentary is supported by Lexus, official car of the Opéra national de Paris, the Orange Foundation, patron of the Opéra's audiovisual broadcasts, and the Cercle POP, patron of the Opéra's audiovisual and digital projects.

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Dancing in Tokyo: the secrets of a tour - Episode 5

Taking down Swan Lake and setting up the next ballet, L'Histoire de Manon, as the dancers take a break and visit Japan.  This documentary is supported by Lexus, official car of the Opéra national de Paris, the Orange Foundation, patron of the Opéra's

Episode 5 - The swap

Dancing in Tokyo: the secrets of a tour - Ep.5/7

The five performances follow one another at a steady pace, an endurance challenge for the dancers and principal dancers. This documentary is supported by Lexus, official car of the Opéra national de Paris, the Orange Foundation, patron of the Opéra's audiovisual broadcasts, and the Cercle POP, patron of the Opéra's audiovisual and digital projects.

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Dancing in Tokyo: the secrets of a tour - Episode 4

The five performances follow one another at a steady pace, an endurance challenge for the dancers and principal dancers.This documentary is supported by Lexus, official car of the Opéra national de Paris, the Orange Foundation, patron of the Opéra's 

Episode 4 - Underground, ballet, bedtime

Dancing in Tokyo: the secrets of a tour - Ep.4/7

The dancers discover Tokyo's Bunka Kaikan theatre, the technicians try to make themselves understood by their Japanese colleagues, and time is running out as the premiere of Swan Lake approaches. This documentary is supported by Lexus, official car of the Opéra national de Paris, the Orange Foundation, patron of the Opéra's audiovisual broadcasts, and the Cercle POP, patron of the Opéra's audiovisual and digital projects.

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Dancing in Tokyo: the secrets of a tour - Episode 3

The dancers discover Tokyo's Bunka Kaikan theatre, the technicians try to make themselves understood by their Japanese colleagues, and time is running out as the premiere of Swan Lake approaches.This documentary is supported by Lexus, official car of

Episode 3 - Towards the premiere

Dancing in Tokyo: the secrets of a tour - Ep.3/7

Rehearsals started at a steady pace, but promotions and injuries are causing changes in the cast.This documentary is supported by Lexus, Sponsor of POP's innovative content, the Fondation Orange, Sponsor of the Paris Opera's audiovisual broadcasts, and the POP Circle, Major donors of the Paris Opera's audiovisual projects.

Danser à Tokyo : les secrets d’une tournée - Épisode 2 Japon 2024-2

Dancing in Tokyo: the secrets of a tour - Episode 2

Rehearsals started at a steady pace, but promotions and injuries are causing changes in the cast. This documentary is supported by Lexus, Sponsor of POP's innovative content, the Fondation Orange, Sponsor of the Paris Opera's audiovisual broadcasts, 

Episode 2 - Musical chairs

Dancing in Tokyo: the secrets of a tour - 2/7

The documentary series comprises 7 episodes, released one episode per month starting from September 1st.A tour in Japan is announced, while the young dancers wait to find out if they will be participating. The technicians begin to prepare the sets and costumes. For the Étoiles Myriam Ould-Braham and Mathieu Ganio, this will be their last tour. This documentary is supported by Lexus, Sponsor of POP's innovative content, the Fondation Orange, Sponsor of the Paris Opera's audiovisual broadcasts, and the POP Circle, Major donors of the Paris Opera's audiovisual projects.

Danser à Tokyo Japon POP documentaire 2024-4

Dancing in Tokyo: the secrets of a tour - Episode 1

The documentary series comprises 7 episodes, released one episode per month starting from September 1st. A tour in Japan is announced, while the young dancers wait to find out if they will be participating. The technicians begin to prepare the sets a

Épisode 1 - Who is coming

In autumn 2022, Kenneth McMillan's Mayerling entered the Paris Opera repertoire. A challenge for both the dancers and artistic teams.Sumptuous sets and costumes, breathtaking pas de deux, a unique male lead and a multitude of supporting roles... the ballet created by the British choreographer is a passionate love story, that is both emotionally intense and technically demanding.Étoile dancers Mathieu Ganio and Ludmila Pagliero, along with the Paris Opera's artistic teams, share with us their journey through discovery, rehearsals, and preparations for this tour de force. This documentary is supported by the Fondation Orange, Sponsor of the Paris Opera's audiovisual broadcasts, and the POP Circle, Major donors of the Paris Opera's audiovisual projects.

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Dans les coulisses de Mayerling_trailer

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Behind the scenes of Mayerling

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Mayerling, on stage from 29 October to 16 November 2024 at the Palais Garnier

In autumn 2022, Kenneth McMillan's Mayerling entered the Paris Opera repertoire. A challenge for both the dancers and artistic teams. Sumptuous sets and costumes, breathtaking pas de deux, a unique male lead and a multitude of supporting roles... the

A documentary by Anne-Solen Douguet

In July 2022, the Paris Opera inaugurated registrations for the first auditions for its new Lyric Troupe, destined to perform as of the 2023/2024 season.From auditions to performances on the stages of the Palais Garnier and the Opéra Bastille, this exclusive documentary explores the reasons that led the Paris Opera to re-establish a Lyric Troupe and reveals the voices, backgrounds and personalities of the seven singers recruited for this first season.Their stories shed light on the aspirations of a young generation of opera singers and the expectations of a leading international institution. With the support of the Fondation Orange, sponsor of the Paris Opera's audiovisual broadcasts, and the POP Circle, Patrons of the Paris Opera’s audiovisual and digital projects© Opéra national de Paris - 2024

TROUPE OPERA_0043_© E. Bauer - OnP

The Lyric Troupe_trailer

The Lyric Troupe

In July 2022, the Paris Opera inaugurated registrations for the first auditions for its new Lyric Troupe, destined to perform as of the 2023/2024 season. From auditions to performances on the stages of the Palais Garnier and the Opéra Bastille, this 

Jérémie Cuvillier

In 2021, Pierre Lacotte offered the dancers of the Ballet de l'Opéra his latest creation, Le Rouge et le Noir (The Red and the Black), based on Stendhal's masterpiece. Choreographer, ballet master and former Premier Danseur trained at the Paris Opera Ballet School, Pierre Lacotte has remounted several of the great romantic ballets in the Company's repertoire.For this piece adapted from the novel, he created the libretto, choreography, sets and costumes. Following the choreographer through the various stages of creation, the documentary traces the work of transmission and elaboration, from studio rehearsals with soloists and the Corps de Ballet, to set and costume design in the Paris Opera's workshops.Through this sumptuous dance fresco, Pierre Lacotte, who died in 2023, has offered a genuine tribute to the Paris Opera Ballet and to all those involved in the production.

LE ROUGE ET LE NOIR 

Trailer_ Les temps de la création - Le Rouge et le Noir

The Red and the Black - The Red and the Black

In 2021, Pierre Lacotte offered the dancers of the Ballet de l'Opéra his latest creation, Le Rouge et le Noir (The Red and the Black), based on Stendhal's masterpiece. Choreographer, ballet master and former Premier Danseur trained at the Paris Opera

Vincent Cordier

The creative process - Le Rouge et le Noir

A jealous husband, gossiping neighbors, a woman about to give birth, young people who want to escape poverty... Street Scene portrays the inhabitants and dramas of a dilapidated New York neighborhood during a heat wave. In setting playwright Elmer Rice’s play to music, Kurt Weill reveals the tragedy inherent in the daily life of lower-class New Yorkers between the wars. After moving to the United States in 1935 to escape Nazism, the composer created an “American opera” in 1947 that blends European influences and the Broadway musical into a fluid score. This new production of Street Scene, performed by singers from the Paris Opera Academy, is presented at the MC93 in Bobigny, a new chapter in a long-standing partnership between the two institutions. Excerpts from Street Scene are presented under license from The Kurt Weill Foundation for Music, Inc.

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Street Scenes

A jealous husband, gossiping neighbors, a woman about to give birth, young people who want to escape poverty... Street Scene portrays the inhabitants and dramas of a dilapidated New York neighborhood during a heat wave.In setting playwright Elmer Ric

A documentary by David Daurier

Street Scenes by Kurt Weill

The Paris Opera in French Guiana is a territorial cultural cooperation program launched in November 2022, aiming to make the Paris Opera's missions accessible to all Guyanese people. This documentary series retraces the creation of this program, from the inaugural show in Cayenne to the dance workshops led by the Paris Opera artists in partnership with various collaborators in Cayenne, Kourou, and Saint-Laurent-du-Maroni. Episode 1 – The Arrival In November 2022, the Paris Opera in French Guiana was inaugurated with a dance performance featuring Étoile and corps de ballet dancers at the Trois Fleuves hall in Cayenne. Episode 2 – The Encounter Following the performance, the first classical dance workshops begin with Étoile dancers Stéphane Bullion and Muriel Zusperreguy, along with contemporary dance workshops with dancers Takeru Coste and Marion Gautier de Charnacé. Episode 3 – Everyone's a Dancer From Cayenne to Saint-Laurent-du-Maroni, passing through Kourou, the Ballet company's dancers meet students with diverse stories and backgrounds who share a common passion: dance! Episode 4 – En voix For the first time, Paris Opera Etoiles, dancers and opera singers will be gathering on the Three Rivers stage in Cayenne. "The Paris Opera in French Guiana" continues with opera vocal workshops at the Conservatoire de Musique, Danse et Théâtre in French Guiana for those who wish to discover their voice. Episode 5 – Opérapprentis The OpérApprentis artistic and cultural education program, currently being implemented in Cayenne and Saint-Laurent du Maroni as part of the Paris Opera in French Guiana, focuses on artistic practice, meetings with professionals from the Paris Opera, and the discovery of lyrical and choreographic performances. A production by the Paris Opera Academy Direction: Jules Bonnel, José Ramirez Romero Opéra national de Paris - 2023 Picture: Frédéric Stucin / OnP

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L'Opéra en Guyane

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L'Opéra en Guyane - Episode 1

The Paris Opera in French Guiana is a territorial cultural cooperation program launched in November 2022, aiming to make the Paris Opera's missions accessible to all Guyanese people. This documentary series retraces the creation of this program, from

Episode 1 – The arrival

The Paris Opera in French Guiana 1/5

The beginning of the future dancers' school year is an intense experience as it crystallises their early commitment to adult life. How do the younger pupils (9 to 12 years) experience it, and how do the older pupils (15 to 18 years) prepare for it?On what inner strengths and convictions do the pupils base their decisions? What forms do their desires take? What do they draw on, and with what tools do they equip themselves, to deal with being far from their families? And how do they stay in contact with them? (there is a Korean pupil, a Chinese pupil, Italian pupils, pupils from the French provinces and they all use Skype) How do the teachers introduce the pupils to the new school year? What memories do the teachers have of their own new school years, and what do they bear in mind when addressing their new pupils? Behind the vast array of preparatory activities for the beginning of the school year, the extent of expectations at the school becomes implicit.This first film will recount the "climbing on board", influenced here and there by the memories of new school years experienced 30 years earlier by those accompanying the pupils as they join the dance. A coproduction ARTE France, SCHUCH Productions, the Paris Opera and NHK With the support of the Centre National du Cinéma et de l’image animée, the PROCIREP - Société des Producteurs and of the ANGOADirector: Françoise Marie © SCHUCH Productions – ARTE France – Opéra national de Paris – 2012

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Graines d'Étoiles, saison 1 - ép. 1

Graines d'étoiles, saison 1 - Épisode 1 : La rentrée (FR)

Budding stars, season 1 - Episode 1: The New School Year

The beginning of the future dancers' school year is an intense experience as it crystallises their early commitment to adult life. How do the younger pupils (9 to 12 years) experience it, and how do the older pupils (15 to 18 years) prepare for it? O

Episode 1 - The New School Year

Budding stars, season 1 - ep. 1

Invited to the Paris Opera for the first time, director Netia Jones staged a new production of Le nozze di Figaro in 2022, conducted by Gustavo Dudamel. A documentary, filmed backstage at the Palais Garnier, looks back at the highlights of this new production, from the first presentation of the model, to the work in the costume, painting and tapestry workshops at the Opéra Bastille; from the first rehearsals with the Orchestra, soloists and chorus artists to the first performance at the Palais Garnier.The Paris Opera Orchestra and ChorusWith the support of the Orange Foundation, patron of the Paris Opera's audiovisual broadcasts, and the Cercle audiovisuel et numérique.Director: Adrien Pauchet © Opéra national de Paris – 2023

Dans les coulisses des Noces de Figaro

Behind the Scenes of Le nozze di Figaro

Invited to the Paris Opera for the first time, director Netia Jones staged a new production of Le nozze di Figaro in 2022, conducted by Gustavo Dudamel.  A documentary, filmed backstage at the Palais Garnier, looks back at the highlights of this new 

Documentary

For their first invitation to create a piece for the Paris Opera Ballet's dancers, choreographers Bobbi Jene Smith and Or Schraiber first stopped by at the Orsolina28 Art Foundation in Italy.Then, they began rehearsals at the Opéra Bastille with the Ballet's dancers. A dialogue is established between the highly personal universe and the material the choreographers supply and the improvisations from the Company's dancers.Petteri Iivonen, first violin with the Paris Opera Orchestra, also talks about Sibelius' score and how special it is being on stage during performances, so close to the dancers.   The Paris Opera Corps de Ballet and the Paris Opera OrchestraDirector: Tommy Pascal © Opéra national de Paris

Pit, l'Histoire d'une création - Bobbi jene Smith en répétitions avec les danseurs du Ballet (saison 22/23)

Pit, the birth of a creation

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For their first invitation to create a piece for the Paris Opera Ballet's dancers, choreographers Bobbi Jene Smith and Or Schraiber first stopped by at the Orsolina28 Art Foundation in Italy. Then, they began rehearsals at the Opéra Bastille with the

Tommy Pascal

Pit, the film of the production

A very interesting documentary, as seriously informed as it is charmingly entertaining. - Le Monde Famous for its ghost, the Garnier Opera of Paris is above all the product of a titanic building site and the symbol of the birth of a new era. From 1852 to 1870, eighteen years of flamboyance made Paris the capital of modernity.This 90-minute documentary aims to tell the story of the great Paris construction of the Garnier Opera House, which lasted 14 years (from 1861 to 1875). While plunging into the backstage, its wheels and its legends, it will explain the special place it occupied in what Nietzsche called the "civilization of opera", the golden age of the bourgeoisie based on the appearance and the spectacular, which was then put in place. By the admission of Charles Garnier, the Opera as a whole was to serve as stage for the new elite of the time. From the story of its construction and architectural details, we will open windows on historical, social, political and artistic themes that will be treated to the image by paintings, period photos, film clips, animations in 3D and historical evocations (fiction). We will also call on specialized speakers on these different themes. Interviewed in studio and in situ, they will guide us, step by step, in this building still alive and full of anecdotes. Throughout the story, we will also follow the myth of the ghost, invented from scratch by the novelist Gaston Leroux, and so well integrated into the monument that it remains today THE symbol and an important key to understanding. Finally, music and ballet will be present in this film, in the form of musical excerpts and lyrical performances. A coproduction Bel Air Media, Full Dawa Production, ARTE France and Opéra national de Paris With the participation of Planète +, TV5 Monde, RTBF With the support of the Centre National du Cinéma et de l’image animée. Director: Patrick Cabouat / Co-written with Stéphane Landowski© Arte France - Bel Air Media – Full Dawa Production - Opéra national de Paris - 2020

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Un opéra pour un empire En

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Un opéra pour un empire_FR

Un opéra pour un Empire_ENG

A very interesting documentary, as seriously informed as it is charmingly entertaining. - Le MondeFamous for its ghost, the Garnier Opera of Paris is above all the product of a titanic building site and the symbol of the birth of a new era. From 1852

Patrick Cabouat / Stéphane Landowski

Building the Paris Opera

"Gérard Mortier has set himself a mission: he wants to save opera" - Peter Sellars, 1991 On the occasion of the tenth anniversary of his passing, delve into the vision of Gerard Mortier, General Director of the Paris Opera from 2004 to 2009, with this documentary recounting his journey.A decade in Brussels, a second in Salzburg, Gerard Mortier has made his name. Public enemy no. 1 for the defenders of a certain operatic tradition, he is an unavoidable reference for the modernity of musical theatre.Gerard Mortier expresses himself through his choices. His approach: to push the "opera" genre to its limits. By making it "explode" (Mussbach, Neuenfels), or on the contrary, by giving it an extremely refined form (Chéreau, the Herrmanns).What should we retain, preserve and pass on from a work of art? Its ideas or its letter? Should we respect the latter to the point of conservatism, or hammer away at the former at the risk of tearing it apart? The history of Western culture, with its repertoire of masterpieces, has been grappling with this question for a century. And opera perhaps more than any other.One thing is certain: the productions launched by Gerard Mortier are conceived in a different way, according to a different approach: beyond being an art form for entertainment, Gerard Mortier wanted to give them a meaning. He defended a humanist idea of opera, which resonates with the approach of the founders of the Salzburg Festival. He wanted to evangelise his audience, get them to think, transform them. There is a 'seriousness' to his approach. Gerard Mortier speaks of "opera theatre".The film shows how Gerard Mortier's ideas are put into practice in his productions, and how this can lead to success or failure. Putting the work carried out over 10 years in Brussels into perspective enables us to understand the evolution of such a contradictory vision. But beyond the seductive rhetoric, what is the price of such an approach: its cost and its political stakes? Is it possible to accept the contradictions of this approach, between the bold and the refined? A coproduction Arte - RTBF (Belgian television) and Bel Air Media - 2001 Director: Andy Sommer

Gerard Mortier

Gerard Mortier: Vocation? Opera!

"Gérard Mortier has set himself a mission: he wants to save opera" - Peter Sellars, 1991On the occasion of the tenth anniversary of his passing, delve into the vision of Gerard Mortier, General Director of the Paris Opera from 2004 to 2009, with this