The son of two Étoile dancers, Mathieu Ganio seemed destined for a stellar career. A distinguished danseur noble, he is renowned for his elegance and partnering skills. This documentary delves into his close bond with his mother Dominique Khalfouni, his sister Marine Ganio and his emblematic partners including Isabelle Ciaravola, Dorothée Gilbert, Ludmila Pagliero, Amandine Albisson...A touching story that offers an intimate glimpse into a family legacy and takes us behind the scenes of the Paris Opera Ballet. Coproduction: Delange Production, Opéra National de Paris and Wowow Inc Directed by: Marlène Ionesco

MATHIEU_GANIO

Mathieu Ganio, a romantic Étoile_trailer

Mathieu Ganio, a romantic Étoile

Le Parc (saisin 20/21) - 5

[PLAYLIST] Mathieu Gano, Étoile dancer

The son of two Étoile dancers, Mathieu Ganio seemed destined for a stellar career. A distinguished danseur noble, he is renowned for his elegance and partnering skills. This documentary delves into his close bond with his mother Dominique Khalfouni, 

Marlène Ionesco

The Paris Opera Ballet, one of the most historic companies in the world, stands alongside the Mariinsky Theatre as a benchmark in classical dance. In her documentary Backstage, Marlène Ionesco offers a rare look behind the scenes of these two legendary institutions.From the rehearsal studios to the moments before the curtain rises, we witness moments of extreme concentration, exhaustion, and self-doubt that shape the lives of these extraordinary artists. Coproduction: Delange Production and Opéra National de Paris - 2016 Directed by: Marlène Ionesco

BACKSTAGE

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Backstage: Behind the scenes of the Paris Opera and the Mariinsky Theatre

The Paris Opera Ballet, one of the most historic companies in the world, stands alongside the Mariinsky Theatre as a benchmark in classical dance. In her documentary Backstage, Marlène Ionesco offers a rare look behind the scenes of these two legenda

Created in 1970 by the New York City Ballet, Who cares? is a suite of dances to songs by George and Ira Gershwin – including the “classic” that gives the piece its name and I Got Rhythm – against the backdrop of the Manhattan skyline.Who cares combines an ensemble of dancers in various formations, followed by four soloists. All come together in a playful finale in which Balanchine wanted to show the ’musical genius and melodic beauty of Gershwin’s compositions through classical dance’.A tribute to the grandeur of Imperial Russia, Ballet Impérial was created in 1941 by the American Ballet Caravan to Tchaikovsky’s Second Piano Concerto. A work in which George Balanchine brilliantly celebrates the technical virtuosity of academic ballet in the style of Petipa – his “spiritual father” – and the great St Petersburg tradition. With the Paris Opera Étoiles, soloists and corps de ballet The Paris Opera OrchestraA co-production by the Paris Opera and Telmondis, with the participation of France Télévisions, the support of the CNC and of the Orange Foundation, sponsor of the Paris Opera' audiovisual broadcasts.Director: Vincent Bataillon

Ballet impérial (George Balanchine), Hannah O'Neill (c) Agathe Poupeney OnP

George Balanchine : Ballet Impérial / Who cares?_trailer

George Balanchine

Created in 1970 by the New York City Ballet, Who cares? is a suite of dances to songs by George and Ira Gershwin – including the “classic” that gives the piece its name and I Got Rhythm – against the backdrop of the Manhattan skyline. Who cares combi

Music by Piotr Ilyitch Tchaïkovsky / George Gershwin

George Balanchine: Ballet Imperial / Who cares?

In a tribute to this choreographer who died fifteen years ago, the Paris Opera Ballet presents three works initially created during the seventies and which all shine with equal choreographic and musical intensity.The mythical Boléro espouses Ravel’s eponymous score. Surrounded by dancers, alone on a table, the principal performer – male or female – is transported by the voluptuous rhythms into an erotic and hypnotic dance that is like a vibrant call to life.   For The Firebird, an ode to youth designed for the company’s dancers, the choreographer took up Stravinsky’s powerful score bringing out its quintessence. Young “partisans” recharge their ardour and their energy at the well‑spring of life represented by the Firebird.Finally, Le Chant du compagnon errant, written for two male dancers, is an intimate work to a song cycle by Mahler highlighting all the rigour and grace of Béjart’s language. The Paris Opera Ballet Étoiles, Soloists and Corps de Ballet The Paris Opera OrchestraA coproduction of the Paris Opera and Telmondis, with the participation of France Télévisions, the support of the CNC and the Fondation Orange, sponsor of the Paris Opera's audiovisual broadcasts.Director: Louise Narboni © Opéra national de Paris - Telmondis - 2023

BOLERO (Maurice Béjart), Amandine Albisson (c) Julien Benhamou OnP_DSC3645_

Maurice Béjart_trailer

Maurice Béjart

In a tribute to this choreographer who died fifteen years ago, the Paris Opera Ballet presents three works initially created during the seventies and which all shine with equal choreographic and musical intensity. The mythical Boléro espouses Ravel’s

Boléro / The Firebird / Le Chant du compagnon errant

In this piece specifically created for the Paris Opera Ballet in 1994, the choreographer Angelin Preljocaj finds a subtle balance between the classical genius of Mozart’s music and the modernity of his choreographic language.The perfectly chiselled sets evoke the elegance and refinement of a French‑style garden while the costumes draw inspiration from the Age of Enlightenment.Advancing to the caprices of an imaginary Carte du Tendre and guided by strange gardeners, the dancers awaken to love, from first encounters to seduction, from timidity to attraction, from resistance to the sweet appeal of abandon in sublimely soaring “pas de deux”.Even today, this timeless work continues to explore the codes of love and the way human feelings develop. With the Paris Opera Étoiles, Soloists and Corps de Ballet The Paris Opera OrchestraA co-production of the Paris Opera and Telmondis, with the participation of France Télévisions, Mezzo and medici.tv, and the support of the Orange Foundation, patron of the Paris Opera's audiovisual broadcasts, and the Centre National du Cinéma et de l'image animée.© Opéra national de Paris – Telmondis - 2021 Director: Louise Narboni

Le Parc (saisin 20/21) - 12

Le Parc (saisin 20/21) - 11

Le Parc_trailer

Le Parc

In this piece specifically created for the Paris Opera Ballet in 1994, the choreographer Angelin Preljocaj finds a subtle balance between the classical genius of Mozart’s music and the modernity of his choreographic language.  The perfectly chiselled

Angelin Preljocaj

Drawing on ancient Slavic and Norse mythology where destiny is often born out of the mysterious forces of nature, Swan Lake has become a legend in its own right. Tchaikovsky’s first ballet score is imbued with a deep sense of nostalgia, echoing the composer’s own experience of love as elusive as it was impossible.However the work remained misunderstood until 1895 when Marius Petipa undertook his own choreographic interpretation. With the help of Lev Ivanov, Petipa created majestic figures for the female corps de ballet and breathed life into the swan‑dancer.In Rudolf Nureyev’s “Freudian” version, conceived for the Paris Opera Ballet in 1984, Prince Siegfried, manipulated by the evil Rothbart, shuns the realities of power and marriage to take refuge in dreams where a magic lake symbolizing idealised love appears to him.Nureyev elevated the role of the prince to that of the heroine by giving him a deeper psychological dimension whilst opting to give this masterly action ballet a tragic denouement more in tune with its musical substance. The Etoiles, the Premiers Danseurs and the Paris Opera Corps de Ballet The Paris Opera OrchestraA co-production of the Paris National Opera and François Roussillon et Associés, with the participation of Medici.tv / MUSEEC, the support of the Orange Foundation, patron of the Paris National Opera's audiovisual broadcasts, and with the assistance of the Centre National du Cinéma et de l'image animée.Director: François Roussillon © Opéra national de Paris - François Roussillon et Associés - 2016Picture: © Svetlana Loboff / OnP

<ul><li>Siegfried: Young prince in love with Odette, he swears fidelity to her and seeks to save her from her curse. Unfortunately he is deceived by Rothbart and Odile.</li><li>Odette: Young princess transformed into a swan by Rothbart, only eternal love can free her.</li><li>Odile: Rothbart’s daughter, she takes the appearance of Odette to trick Siegfried.</li><li>Rothbart: A huge bird of prey, he transforms young women into swans and prevents Siegfried and Odette’s union.</li><li>Wolfgang: The Prince’s tutor, he mysteriously disappears when Rothbart appears.</li></ul>

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Le Lac des cygnes

Swan Lake

Bastille salle

Performance at the Opera Bastille, from 21 June to 14 July 2024

Drawing on ancient Slavic and Norse mythology where destiny is often born out of the mysterious forces of nature, Swan Lake has become a legend in its own right. Tchaikovsky’s first ballet score is imbued with a deep sense of nostalgia, echoing the c

Rudolf Nureyev

Swan Lake (2016)

The ultimate romantic ballet, Giselle marked the apogee of a new aesthetic that saw diaphanous tutus, white gauze, tulle and tarlatan take over the stage. The Willis bring the illusion of immateriality to this ghostly transfiguration of a tragedy.First performed at the Académie royale de Musique on June 28, 1841, the ballet travelled to Russia, then temporarily disappeared from the repertoire before finally returning to France in 1910. Today’s version by Patrice Bart and Eugene Polyakov – which closely follows Jean Coralli and Jules Perrot’s original choreography – continues to reaffirm the ballet’s early success.Bright, earthly scenes and spectral, nocturnal visions: dance becomes the language of the soul and the ballerina’s ethereal presence seems to defy gravity. <hr>The Étoiles, the Premiers Danseurs and the Paris Opera Corps de Ballet The Pasdeloup OrchestraA coproduction Opéra national de Paris, François Roussillon et Associés With the participation of France Télévisions and TF1, the support of the Orange Foundation, patron of the audiovisual retransmissions of the Opéra National de Paris and the Centre National du Cinéma et de l'Image Animée.Director: François Roussillon © Opéra national de Paris – François Roussillon et Associés -2020Picture: © Svetlana Loboff / OnP

<ul><li>Giselle: A young peasant girl. She falls in love with Loys, who turns out to be Duke Albrecht. Consumed by madness, she dies of a broken heart at the end of Act I.</li><li>Albrecht: Duke of Silesia. Already betrothed to Princess Bathilde, he seduces Giselle during the harvest season.</li><li>Myrtha: Queen of the Wilis, spirits of young maidens who have died before their wedding day. At night, they lure men into a deadly dance.</li><li>Hilarion: The village gamekeeper who is in love with Giselle. He reveals Albrecht’s true identity then dies, punished by the Wilis.</li></ul>

Giselle

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Performance at the Palais Garnier, from 02 May to 01 June 2024

The ballet is decked out in its finest jewels with Les Néréides

Jewels in Ballet with Les Néréides

The ultimate romantic ballet, Giselle marked the apogee of a new aesthetic that saw diaphanous tutus, white gauze, tulle and tarlatan take over the stage. The Willis bring the illusion of immateriality to this ghostly transfiguration of a tragedy.  F

Jean Coralli, Jules Perrot

In autumn 2022, Kenneth McMillan's Mayerling entered the Paris Opera repertoire. A challenge for both the dancers and artistic teams.Sumptuous sets and costumes, breathtaking pas de deux, a unique male lead and a multitude of supporting roles... the ballet created by the British choreographer is a passionate love story, that is both emotionally intense and technically demanding.Étoile dancers Mathieu Ganio and Ludmila Pagliero, along with the Paris Opera's artistic teams, share with us their journey through discovery, rehearsals, and preparations for this tour de force. This documentary is supported by the Fondation Orange, Sponsor of the Paris Opera's audiovisual broadcasts, and the POP Circle, Major donors of the Paris Opera's audiovisual projects.

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Dans les coulisses de Mayerling_trailer

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Behind the scenes of Mayerling

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Mayerling, on stage from 29 October to 16 November 2024 at the Palais Garnier

In autumn 2022, Kenneth McMillan's Mayerling entered the Paris Opera repertoire. A challenge for both the dancers and artistic teams. Sumptuous sets and costumes, breathtaking pas de deux, a unique male lead and a multitude of supporting roles... the

A documentary by Anne-Solen Douguet

Both similar and different, two French composers and two choreographers of the New York City Ballet – Georges Balanchine who founded it and Benjamin Millepied who was trained there- are the heart of this evening.Georges Balanchine set his first creation for the Paris Opera Ballet in 1947 to an early work by Bizet, Le Palais de cristal, as a tribute to the company and the French ballet tradition.A refine work intrinsically connected to music, this piece is a model of academic virtuosity, unfolding in the wonderful case designed by an artist of colours and lights, Christian Lacroix.With Daphnis and Chloe, Benjamin Millepied offered his third creation to the Paris Opera Ballet, reviving the myth with the help of his friend Daniel Buren.Inspired by Balanchine, the choreographer drew his inspiration on the rhythms and colours of a “chorographical symphony” by Ravel for orchestra and chorus.These masterpieces of French music are conducted by Philippe Jordan who accompanies, for the first time, the dancers of the Paris Opera Ballet. The Étoiles, the Premiers Danseurs and the Paris Opera Corps de Ballet The Paris Opera Orchestra and ChorusA co-production of the Paris Opera, Telmondis and Mezzo With the participation of France Télévisions - With the support of the Orange Foundation, patron of the Paris Opera's audiovisual broadcasts and with the assistance of the Centre national du cinéma et de l'image animéeDirector: François Goetghebeur © Opéra national de Paris – Telmondis - Mezzo - 2014Picture: © Agathe Poupeney / OnP

Daphnis et Chloé - 17

George Balanchine / Benjamin Millepied Evening

Both similar and different, two French composers and two choreographers of the New York City Ballet – Georges Balanchine who founded it and Benjamin Millepied who was trained there- are the heart of this evening. Georges Balanchine set his first crea

George Balanchine, Benjamin Millepied

Le Palais de Cristal / Daphnis et Chloé

Edgar Degas devoted half of his artistic life to dance and ballerinas, haunting the rehearsal studios, the corridors of the street Le Peletier and, later, the Palais Garnier. He was not solely captivated by movement: the hard work and discipline of these children dressed with silk and tulle, the golds of the theatre house, the backstage, the dust, the youth and femininity of simple and mysterious beings also fascinated him.Freed from her glass prison, the famous wax sculpture named the Little Fourteen-Year-Old Dancer takes life under the gaze of choreographer Patrice Bart.Basing his work on the true story of Marie Van Goethem, who was Degas’ model, Bart delves into the past of the Opera and tells us the sorrowful fate of one of the Corps de Ballet’s ballerinas, and, above all, depicts us the scent of an era.From the rehearsal studios to the artist’s workshop, from a sulfurous cabaret to jail, the settings unveil the Palais Garnier and its backstage, along with the “working-class” Paris of the end of the 19th century. The Etoiles, the Premiers Danseurs and the Paris Opera Corps de Ballet With the participation of the Paris Opera Ballet School students The Paris Opera OrchestraA co-production of Opéra national de Paris, Telmondis and Bel Air Media With the participation of France Télévisions, Mezzo and Ciel Ecran and with the support of the Centre National de la Cinématographie.Director: Vincent BataillonPicture: ©Julien Benhamou / OnP

La Petite danseuse de Degas 

La Petite Danseuse de Degas 

La Petite danseuse de Degas

Edgar Degas devoted half of his artistic life to dance and ballerinas, haunting the rehearsal studios, the corridors of the street Le Peletier and, later, the Palais Garnier. He was not solely captivated by movement: the hard work and discipline of t

Patrice Bart

The documentary series comprises 7 episodes, released one episode per month starting from September 1st.A tour in Japan is announced, while the young dancers wait to find out if they will be participating. The technicians begin to prepare the sets and costumes. For the Étoiles Myriam Ould-Braham and Mathieu Ganio, this will be their last tour. This documentary is supported by Lexus, Sponsor of POP's innovative content, the Fondation Orange, Sponsor of the Paris Opera's audiovisual broadcasts, and the POP Circle, Major donors of the Paris Opera's audiovisual projects.

Danser à Tokyo Japon POP documentaire 2024-4

Dancing in Tokyo: the secrets of a tour - Trailer

Dancing in Tokyo: the secrets of a tour - Episode 1

The documentary series comprises 7 episodes, released one episode per month starting from September 1st. A tour in Japan is announced, while the young dancers wait to find out if they will be participating. The technicians begin to prepare the sets a

Épisode 1 - Who is coming

Rehearsals started at a steady pace, but promotions and injuries are causing changes in the cast.This documentary is supported by Lexus, Sponsor of POP's innovative content, the Fondation Orange, Sponsor of the Paris Opera's audiovisual broadcasts, and the POP Circle, Major donors of the Paris Opera's audiovisual projects.

Danser à Tokyo : les secrets d’une tournée - Épisode 2 Japon 2024-2

Dancing in Tokyo: the secrets of a tour - Episode 2

Rehearsals started at a steady pace, but promotions and injuries are causing changes in the cast. This documentary is supported by Lexus, Sponsor of POP's innovative content, the Fondation Orange, Sponsor of the Paris Opera's audiovisual broadcasts, 

Episode 2 - Musical chairs

Dancing in Tokyo: the secrets of a tour - 2/7

The dancers discover Tokyo's Bunka Kaikan theatre, the technicians try to make themselves understood by their Japanese colleagues, and time is running out as the premiere of Swan Lake approaches. This documentary is supported by Lexus, official car of the Opéra national de Paris, the Orange Foundation, patron of the Opéra's audiovisual broadcasts, and the Cercle POP, patron of the Opéra's audiovisual and digital projects.

Danser à Tokyo : les secrets d'une tournée - Épisode 3 Japon 2024-81

Dancing in Tokyo: the secrets of a tour - Episode 3

The dancers discover Tokyo's Bunka Kaikan theatre, the technicians try to make themselves understood by their Japanese colleagues, and time is running out as the premiere of Swan Lake approaches.This documentary is supported by Lexus, official car of

Episode 3 - Towards the premiere

Dancing in Tokyo: the secrets of a tour - Ep.3/7

The five performances follow one another at a steady pace, an endurance challenge for the dancers and principal dancers. This documentary is supported by Lexus, official car of the Opéra national de Paris, the Orange Foundation, patron of the Opéra's audiovisual broadcasts, and the Cercle POP, patron of the Opéra's audiovisual and digital projects.

Danser à Tokyo, les secrets d'une tournée Japon 2024-97

Dancing in Tokyo: the secrets of a tour - Episode 4

The five performances follow one another at a steady pace, an endurance challenge for the dancers and principal dancers.This documentary is supported by Lexus, official car of the Opéra national de Paris, the Orange Foundation, patron of the Opéra's 

Episode 4 - Underground, ballet, bedtime

Dancing in Tokyo: the secrets of a tour - Ep.4/7

Taking down Swan Lake and setting up the next ballet, L'Histoire de Manon, as the dancers take a break and visit Japan.   This documentary is supported by Lexus, official car of the Opéra national de Paris, the Orange Foundation, patron of the Opéra's audiovisual broadcasts, and the Cercle POP, patron of the Opéra's audiovisual and digital projects.

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Dancing in Tokyo: the secrets of a tour - Episode 5

Taking down Swan Lake and setting up the next ballet, L'Histoire de Manon, as the dancers take a break and visit Japan.  This documentary is supported by Lexus, official car of the Opéra national de Paris, the Orange Foundation, patron of the Opéra's

Episode 5 - The swap

Dancing in Tokyo: the secrets of a tour - Ep.5/7

When the dancers return, it's time to start rehearsing L'Histoire de Manon, but for the technical side, this show, that has never left Paris before, is a complex challenge. This documentary is supported by Lexus, official car of the Opéra national de Paris, the Orange Foundation, patron of the Opéra's audiovisual broadcasts, and the Cercle POP, patron of the Opéra's audiovisual and digital projects.

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Dancing in Tokyo: the secrets of a tour - Episode 6

When the dancers return, it's time to start rehearsing L'Histoire de Manon, but for the technical side, this show, that has never left Paris before, is a complex challenge.This documentary is supported by Lexus, official car of the Opéra national de 

Episode 6 - Rehearsal under pressure

Dancing in Tokyo: the secrets of a tour - Ep.6/7

"Étoile" dancer with the Paris Opera Ballet, Mathieu Ganio bids farewell to the stage on Saturday March 1, 2025.Relive some of his iconic roles on POP, the Paris Opera's streaming platform:&nbsp; Siegfried (Swan Lake), Albrecht (Giselle), The Firebird, Le‎‎&nbsp;Parc...

Thématique POP - 4

"Étoile" dancer with the Paris Opera Ballet, Mathieu Ganio bids farewell to the stage on Saturday March 1, 2025. Relive some of his iconic roles on PO