Run by Élisabeth Platel, the Paris Opera Ballet School presents its movie Pas d’école. With this video featuring the 2020-21 Season School Demonstrations filmed inside the school and without audience due to the sanitary crisis, the spectators will discover the daily training of the students s well as the different classical ballet steps.Thanks to their teachers’ help and corrections, the students are taught how to refine their technique and give life to a dance repertoire as they rehearse, to live piano accompaniment, various sequences from the works of the Paris Opera Ballet. Filmed inside of the Paris Opera Ballet School in December 2020Featuring : The Paris Opera Ballet School Director: Élisabeth Platel The Paris Opera Ballet School studentsThe teachers of the Paris Opera Dance School: Carole Arbo, Roxana Barbacaru, Marie Blaise, Marc du Bouaÿs de Couësbouc, Fabienne Cerutti, Jessica Choppe, Véronique Doisneau, Christophe Duquenne, Iris Florentiny, Fanny Gaida, Muriel Hallé, Karl Paquette, Yasmine Piletta, Scott Alan Prouty, Marie-Josée Redont, Wilfried Romoli, Yann Saïz, Géraldine WiartThe conductor of the song: Laurent ChoukrounThe pianists accompanying the dance classes: Ellina Akimova, Antoine Bouchaud, Philippe Cavagnat, Claire Djourado, Craig Edwards, Matthieu Lecoq, Gaëlle Sadaune, Masako Shimura, Yuko Tsuchiya, Isabelle Van Brabant, Valeria VitaternaA Bel Air Media and Opéra national de Paris coproduction With the participation of France Télévisions and the support of the Orange Foundation, patron of the Paris Opera's audiovisual broadcasts, and of the Centre national du cinéma et de l'image animée.Director: Miguel Octave © Opéra national de Paris - Bel Air Media – 2021Picture: © Svetlana Loboff / OnP

Démonstrations de l’école de danse en dvd - 51

Pas d'École

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Performance of the Paris Opera Ballet School at the Palais Garnier from 03 to 16 December 2023

Run by Élisabeth Platel, the Paris Opera Ballet School presents its movie Pas d’école. With this video featuring the  2020-21 Season School Demonstrations filmed inside the school and without audience due to the sanitary crisis, the spectators will d

at the Palais Garnier

Demonstrations

This series offers a glimpse into the rehearsals of iconic passages from the third act of the ballet Raymonda, revived for the Paris Opera Ballet School production (season 22/23). Part 1 (2 episodes) - Raymonda's variation : Élisabeth Platel, Director of the Ballet School and Étoile dancer, guides young dancers Tosca Auba, Lilas Parra and Lisa Petit in interpreting Raymonda's famous variation (Act III). Passing on a legacy... In an interview, Élisabeth Platel sheds light on the genesis of the ballet Raymonda, in which she performed the title role in 1983, when Rudolf Nureyev restaged the ballet for the Paris Opera shortly after being officially appointed as Director of Dance. Part 2 (2 episodes) - Abderam's variation: rehearsals led by Étoile dancer Jean Guizerix, with young dancers Benjamin Adnet, Matéo Gouze, Micah Levine and Clément Rataud. Interview with Jean Guizerix.  Part 3 (3 episodes) - Jean de Brienne's variation: rehearsals led by Étoile dancer Charles Jude, with young dancers Edouard Wormser, Léon Rambaud and Corentin Dournes. Interview with Charles Jude.In an interview, Élisabeth Platel, Jean Guizerix and Charles Jude recall their memories from the ballet's creation in 1983, and the rehearsal work with Rudolf Nureyev. Available in June 2024. Opéra national de Paris - 2024

Masterclass RAYMONDA POP repetition_2

trailer_Raymonda, a rehearsal with... Élisabeth Platel

Raymonda in rehearsal with... Élisabeth Platel

This series offers a glimpse into the rehearsals of iconic passages from the third act of the ballet Raymonda, revived for the Paris Opera Ballet School production (season 22/23). Part 1 (2 episodes) - Raymonda's variation : Élisabeth Platel, Directo

Raymonda's variation (Act III)

This series offers a glimpse into the rehearsals of iconic passages from the third act of the ballet Raymonda, revived for the Paris Opera Ballet School production (season 22/23). Part 2 (2 episodes) - Abderam's variation: rehearsals led by Étoile dancer Jean Guizerix, with young dancers Benjamin Adnet, Matéo Gouze, Micah Levine and Clément Rataud. Interview with Jean Guizerix. Part 1 (2 episodes) - Raymonda's variation : Élisabeth Platel, Director of the Ballet School and Étoile dancer, guides young dancers Tosca Auba, Lilas Parra and Lisa Petit in interpreting Raymonda's famous variation (Act III). Passing on a legacy... In an interview, Élisabeth Platel sheds light on the genesis of the ballet Raymonda, in which she performed the title role in 1983, when Rudolf Nureyev restaged the ballet for the Paris Opera shortly after being officially appointed as Director of Dance. Part 3 (3 episodes) - Jean de Brienne's variation: rehearsals led by Étoile dancer Charles Jude, with young dancers Edouard Wormser, Léon Rambaud and Corentin Dournes. Interview with Charles Jude.In an interview, Élisabeth Platel, Jean Guizerix and Charles Jude recall their memories from the ballet's creation in 1983, and the rehearsal work with Rudolf Nureyev. Available in June 2024. Opéra national de Paris - 2024

ABDERAM_7 Masterclass Raymonda POP Jean Guizerix

trailer_Raymonda in rehearsal - Abderam's variation

Raymonda in rehearsal - Abderam's variation

This series offers a glimpse into the rehearsals of iconic passages from the third act of the ballet Raymonda, revived for the Paris Opera Ballet School production (season 22/23). Part 2 (2 episodes) - Abderam's variation: rehearsals led by Étoile da

Abderam's variation

Raymonda in rehearsal with... Jean Guizerix

This series offers a glimpse into the rehearsals of iconic passages from the third act of the ballet Raymonda, revived for the Paris Opera Ballet School production (season 22/23). Part 1 (2 episodes) - Raymonda's variation : Élisabeth Platel, Director of the Ballet School and Étoile dancer, guides young dancers Tosca Auba, Lilas Parra and Lisa Petit in interpreting Raymonda's famous variation (Act III). Passing on a legacy... In an interview, Élisabeth Platel sheds light on the genesis of the ballet Raymonda, in which she performed the title role in 1983, when Rudolf Nureyev restaged the ballet for the Paris Opera shortly after being officially appointed as Director of Dance. Part 2 (2 episodes) - Abderam's variation: rehearsals led by Étoile dancer Jean Guizerix, with young dancers Benjamin Adnet, Matéo Gouze, Micah Levine and Clément Rataud. Interview with Jean Guizerix. Part 3 (3 episodes) - Jean de Brienne's variation: rehearsals led by Étoile dancer Charles Jude, with young dancers Edouard Wormser, Léon Rambaud and Corentin Dournes. Interview with Charles Jude.In an interview, Élisabeth Platel, Jean Guizerix and Charles Jude recall their memories from the ballet's creation in 1983, and the rehearsal work with Rudolf Nureyev. Opéra national de Paris - 2024

JEAN_DE_BRIENNE_6 Masterclass Raymonda POP Charles Jude 

Raymonda in rehearsal - Jean de Brienne's variation

Jean de Brienne's variation (Act III)

Raymonda in rehearsal with... Charles Jude

A teapot dancing the foxtrot with a Chinese cup, an armchair courting a Louis XV wing chair, objects and animals joining forces against an unruly child: such is the marvellous world that Maurice Ravel brings to life in his “fantaisie lyrique” created in 1925. A finely orchestrated musical gem, in which the composer’s taste for humour, childhood poetry and animals – an affection shared with the writer Colette, who wrote the libretto – is clearly apparent.While the artists of the Academy embody the characters of L’Enfant et les Sortilèges in Richard Jones’ oneiric staging, the students of the Ballet School perform the ballet Ma Mère l’Oye (1912) in Martin Chaix’ inventive choreography.An opera, a ballet: two works by Ravel placed under the sign of childhood and fairy tales, sublimated by the red and golden setting of the Palais Garnier. With the participation of the Paris Opera Ballet School students and the Artists in residence a the Paris Opera Académie The Paris Opera Orchestra and Chorus With the Maîtrise Notre-Dame de Paris, chœur d'adulte, and the Maîtrise des Hauts-de-Seine / Chœur d’enfants de l’Opéra national de Paris Produced, edited and color-graded by Floris Bernard A Paris Opera production Executive production BEL AIR MEDIA© Opéra national de Paris - 2023

Spectacle de l'École de Danse (saison 22/23) - Ma Mère l'Oye de Martin Chaix

2023 04-EdD-Ma mère l'Oye-©Loboff--063_MA MERE L'OYE_Martin Chaix (c) Svetlana Loboff Onp

Ma Mère l'Oye / L'Enfant et les Sortilèges

fr / en

A teapot dancing the foxtrot with a Chinese cup, an armchair courting a Louis XV wing chair, objects and animals joining forces against an unruly child: such is the marvellous world that Maurice Ravel brings to life in his “fantaisie lyrique” created

Maurice Ravel

Scaramouche, was created in 2005 by José Martinez for the School’s youngest pupils. The work, conveyed by the imagination of the children, joyfully revives the troubadour spirit of the Commedia dell’arte.The film director created a mix of fiction and recorded performances.A co-production ARTE France, Opéra national de Paris and François Roussillon et Associés With the support of the Orange Foundation, patron of the Paris Opera's audiovisual broadcasts and with the assistance of the Centre national du cinéma et de l'image animéeDirector: François Roussillon © ARTE France - Opéra national de Paris - François Roussillon et Associés - 2014Picture: © Francette Levieux / OnP

Les Enfants de Scaramouche

Scaramouche, was created in 2005 by José Martinez for the School’s youngest pupils. The work, conveyed by the imagination of the children, joyfully revives the troubadour spirit of the Commedia dell’arte. The film director created a mix of fiction an

José Martinez

Echoing the Tercentenary of the French Dance School, the Paris Opera Ballet School’s performance combines tradition and modernity, allowing the students to master the existing repertoire while opening up new worlds to them.Soir de fête by Léo Staats, is seen as a true display of French choreographic style. Set to different excerpts from Léo Delibes, this ballet requires from the dancers musical skills, a lightness in the arms positions, a precise leg work and a virtuosic speed.D’Ores et déjà by Béatrice Massin and Nicolas Paul, created for the Paris Opera Ballet School at the occasion of the Tercentenary, combines baroque and contemporary languages to a score by Jean-Philippe Rameau, when Aunis, by Jacques Garnier, shows the folklore’s impact on classical dance. The Paris Opera Ballet With the students of the Paris Opera Ballet School Orchestre des Lauréats du Conservatoire national supérieur de musique de ParisA co-production of Opéra de Paris Production and ARTE France François Roussillon et Associés With the support of the Orange Foundation, patron of the Paris Opera's audiovisual broadcasts, and the Centre national du cinéma et de l'image animée.Director: François Roussillon © Opéra de Paris Production - ARTE France - François Roussillon et Associés - 2013Picture:  © Sébastien Mathé / OnP

2012-13-ECTRI-008 D'Ores et déjà - Photo S. Mathé - OnP - Mention obligatoire

Tercentenary of the French School of Dance

Echoing the Tercentenary of the French Dance School, the Paris Opera Ballet School’s performance combines tradition and modernity, allowing the students to master the existing repertoire while opening up new worlds to them. Soir de fête by Léo Staats

Nicolas Paul, Pierre Lacotte, Jean-Guillaume Bart

Tercentenary of the French Dance School

Immerse yourself in a ballet evening at the Palais Garnier. A unique event, the sumptuous Ballet Défilé gathers the Étoiles, soloists and Corps de Ballet dancers and all the students of the Dance School. A dazzling spectacle unveiling the stage up to the Foyer de la danse. The Ballet School students take the spotlight with Ivan Clustine's Suite de danses, an homage to the French school infused with Russian influences from Fokine's Les Sylphides. Set to Chopin's music, the choreographic style born from Romanticism paves the way for 20th-century modernism.A virtuosic showcase of classical technique, Études invites the audience to follow the dancers' work at the barre in the shadows, culminating in a grand display with the entire corps de ballet in the spotlight.Finally, three dancers from the Opera Ballet present Aunis by Jacques Garnier, a ballet evoking the influences of folklore on classical dance. With the Paris Opera Étoiles, Soloists, Corps de Ballet and Ballet School The Paris Opera Orchestra conducted by Frédéric Laroque With the participation of France Télévisions, the support of the Centre national du cinéma et de l’image animée and the Fondation Orange, sponsor of the Paris Opera's audiovisual and digital projects.Director: François Roussillon © Opéra national de Paris – 2014 Picture: © Sébastien Mathé / OnP

Etudes Harald Lander saison 14-15

Ballet Evening at the Palais Garnier

Immerse yourself in a ballet evening at the Palais Garnier. A unique event, the sumptuous Ballet Défilé gathers the Étoiles, soloists and Corps de Ballet dancers and all the students of the Dance School. A dazzling spectacle unveiling the stage up to

Défilé / Études / Suite de danses / Aunis

The beginning of the future dancers' school year is an intense experience as it crystallises their early commitment to adult life. How do the younger pupils (9 to 12 years) experience it, and how do the older pupils (15 to 18 years) prepare for it?On what inner strengths and convictions do the pupils base their decisions? What forms do their desires take? What do they draw on, and with what tools do they equip themselves, to deal with being far from their families? And how do they stay in contact with them? (there is a Korean pupil, a Chinese pupil, Italian pupils, pupils from the French provinces and they all use Skype) How do the teachers introduce the pupils to the new school year? What memories do the teachers have of their own new school years, and what do they bear in mind when addressing their new pupils? Behind the vast array of preparatory activities for the beginning of the school year, the extent of expectations at the school becomes implicit.This first film will recount the "climbing on board", influenced here and there by the memories of new school years experienced 30 years earlier by those accompanying the pupils as they join the dance. A coproduction ARTE France, SCHUCH Productions, the Paris Opera and NHK With the support of the Centre National du Cinéma et de l’image animée, the PROCIREP - Société des Producteurs and of the ANGOADirector: Françoise Marie © SCHUCH Productions – ARTE France – Opéra national de Paris – 2012

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Graines d'Étoiles, saison 1 - ép. 1

Graines d'étoiles, saison 1 - Épisode 1 : La rentrée (FR)

Budding stars, season 1 - Episode 1: The New School Year

The beginning of the future dancers' school year is an intense experience as it crystallises their early commitment to adult life. How do the younger pupils (9 to 12 years) experience it, and how do the older pupils (15 to 18 years) prepare for it? O

Episode 1 - The New School Year

Budding stars, season 1 - ep. 1

As the daily practice of hard work is becoming part of life at the school, with the pupils rehearsing the same movements over and over again to gain suppleness, another practice is underway: finding the personalities of the pupils.The younger ones are introduced to expression work via three subjects: mime, corporal expression and folklore. For the older pupils, this work continues with "character dance".This second film will track the quest for movement and what it expresses, in the search for the creative resources each dancer possesses.How do the pupils gradually gain the autonomy they need to make their dream come true? We can measure how far they have come by looking at how the older pupils' behaviour differs from that of the younger pupils. A coproduction ARTE France, SCHUCH Productions, the Paris Opera and NHK With the support of the Centre National du Cinéma et de l’image animée, the PROCIREP - Société des Producteurs and of the ANGOADirector: Françoise Marie © SCHUCH Productions – ARTE France – Opéra national de Paris – 2012

007 Graines d'étoiles saison 1 épisode 2

Graines d'Étoiles, saison 1 - Épisode 2

Graines d'étoiles, saison 1 - Épisode 2 : Au travail (FR)

Budding stars, season 1 - Episode 2: To work

As the daily practice of hard work is becoming part of life at the school, with the pupils rehearsing the same movements over and over again to gain suppleness, another practice is underway: finding the personalities of the pupils. The younger ones a

Episode 2 - To work

Budding stars, season 1 - ep. 2

The dance school requires the pupils to have a good level in subjects right across the board, whether in dance, maths or French. Dance classes take part in the afternoons and mornings are set aside for schooling. The pupils follow a general curriculum that will take them through to the Baccalaureate, in which the school can be proud of its 100% pass rate.The timetable also includes other activities, such as visits to the school nurse and physiotherapist, learning about nutrition, and receiving support from the school head.The pupils seek comfort, help and care from these resource workers. This chapter will look at what we can learn about the birth of a dancer, via the interwoven perspectives of those who accompany them and via small events or incidents that are part of the school year.  A coproduction ARTE France, SCHUCH Productions, the Paris Opera and NHK With the support of the Centre National du Cinéma et de l’image animée, the PROCIREP - Société des Producteurs and of the ANGOADirector: Françoise Marie © SCHUCH Productions – ARTE France – Opéra national de Paris – 2012

015 Graines d'étoiles saison 1

Graines d'Étoiles, saison 1 - ép. 3

danseurs comedie music copie

Graines d'étoiles, saison 1 - Épisode 3 : Les progrès (FR)

Budding stars, season 1 - Episode 3: Progress

The dance school requires the pupils to have a good level in subjects right across the board, whether in dance, maths or French. Dance classes take part in the afternoons and mornings are set aside for schooling. The pupils follow a general curriculu

Episode 3 - Progress

Budding stars, season 1 - ep. 3

Two events, in association with the Opéra de Paris, mark life at the dance school. The first, the "Dance School Demonstrations" takes place in December. In these demonstrations, dance lessons are given exactly as they take place at the school, except these are in public and on stage at the Palais Garnier.The event, which includes three performances, is highly popular among a "specialist" audience of dance professionals and pupils from many dance courses. It is also a highlight for the pupils' families. This makes it an all-important event in the life of the school, as it opens up its cocoon for a day.The younger pupils will take their maiden steps on a stage steeped in legend. For the older pupils, it is the opportunity to become familiar with the feeling of being evaluated and being compared to each other. They experience both the pleasure and pride of being part of a family as well as the desire to stand out from that family. These are the basics of working within a corps de ballet.  A coproduction ARTE France, SCHUCH Productions, the Paris Opera and NHK With the support of the Centre National du Cinéma et de l’image animée, the PROCIREP - Société des Producteurs and of the ANGOADirector: Françoise Marie © SCHUCH Productions – ARTE France – Opéra national de Paris – 2012

011 Graines d'étoiles saison 1 épisode 4

Graines d'Étoiles, saison 1 - ép. 4

4 danseuses justo rose

Graines d'étoiles, saison 1 - Épisode 4 : Un monde à part (FR)

Budding stars, season 1 - Episode 4: A World Apart

Two events, in association with the Opéra de Paris, mark life at the dance school. The first, the "Dance School Demonstrations" takes place in December. In these demonstrations, dance lessons are given exactly as they take place at the school, except

Episode 4 - A World Apart

Budding stars, season 1 - ep. 4

Violette Verdy, the French ballerina and one of the most famous dancers at the New York City Ballet run by George Balanchine, will lead the pupils of the school's 2nd and 3rd division this year, as they dance to a piece by Johannes Brahms, Variations on a Theme of Paganini. Verdy created the original choreography for the piece while she was director of dance at the Opera de Paris.This film provides the opportunity to look into what differentiates the genres in the classical approach to dance, via the technical performances that are expected of the girls and boys. The online availability of numerous extracts of choreographies, interviews with dancers, and ballet recordings modifies the expectations of the trainee dancers. Whilst providing them with all sorts of technical and artistic information, the variety of issues this material raises strengthens the special relationship between master and pupil.Violette Verdy's choreography, which will feature in the school's end-of-year performance, will be danced at the Palais Garnier in April, and will constitute a highpoint in the life of the young dancers. A coproduction ARTE France, SCHUCH Productions, the Paris Opera and NHK With the support of the Centre National du Cinéma et de l’image animée, the PROCIREP - Société des Producteurs and of the ANGOADirector: Françoise Marie © SCHUCH Productions – ARTE France – Opéra national de Paris – 2012

006 Graines d'étoiles saison 1 - épisode 5

Graines d'Étoiles, saison 1 - ép. 5

BUDDING STARS

Graines d'étoiles, saison 1 - Épisode 5 : En scène (FR)

Budding stars, season 1 - Episode 5: On stage

Violette Verdy, the French ballerina and one of the most famous dancers at the New York City Ballet run by George Balanchine, will lead the pupils of the school's 2nd and 3rd division this year, as they dance to a piece by Johannes Brahms, Variations

Episode 5 - On stage

The pupils of the 1st division will spend their last year at the school before the final exam that will determine their entry into professional life. By now, they have acquired a maturity and a way of thinking that should have made artists of them.This sixth chapter will also come full circle by critically highlighting the questions and professions of faith revealed by the pupils six years their junior, in the first film. A coproduction ARTE France, SCHUCH Productions, the Paris Opera and NHK With the support of the Centre National du Cinéma et de l’image animée, the PROCIREP - Société des Producteurs and of the ANGOADirector: Françoise Marie © SCHUCH Productions – ARTE France – Opéra national de Paris – 2012

004 Graines d'étoiles saison 1 épisode 6

Graines d'Étoiles, saison 1 - ép. 6

2 DANSEUSES

Graines d'étoiles, saison 1 - Épisode 6 : Le temps des épreuves (FR)

Budding stars, season 1 - Episode 6: Exam time

The pupils of the 1st division will spend their last year at the school before the final exam that will determine their entry into professional life. By now, they have acquired a maturity and a way of thinking that should have made artists of them.  

Episode 6 - Exam time

Budding stars, season 1 - ep. 6

The rehearsals of one of the greatest classical ballets of all times – Swan Lake – with choreography by Rudolf Nureyev are starting. Before even thinking about dancing solo, young dancers need to merge into a broader movement moving in the same breath. Most of them are only substitutes for now. We will reconnect with Roxane, Alice, Julien, Chun Wing, Ida, Eugénie, Margherita and Alexandre… All of whom will recall their journey and their transformations since their entry into the ballet corps – as well as their reflections upon the universe of classical dancing.They question the image of women in Swan Lake. This image of desirable naivety and her submission to men's desire are unambiguous. Broad-shouldered, protective men and supple, slender women complete this picture of 19th century gender roles... This ballet remains a staple for all who start in classical dance, like Chun Wing who – as a child in Hong-Kong – used to have all the DVD versions that his father could find. His family is seeing him for the first time on the Palais Garnier stage. A coproduction ARTE France, SCHUCH Productions, the Paris Opera and NHK With the support of the Centre National du Cinéma et de l’image animée, the Région Île-de-France, the PROCIREP - Société des Producteurs and of the ANGOADirector: Françoise Marie © SCHUCH Productions – ARTE France – Opéra national de Paris – 2018

Graines d'Étoiles, saison 2 - Épisode 1 :  Danser classique

Graines d'étoiles, saison 2 ép.1 - Trailer

Graines d'étoiles, saison 2 - Épisode 1 : Danser classique

Budding stars, season 2 - Episode 1: Classical Dancing

The rehearsals of one of the greatest classical ballets of all times – Swan Lake – with choreography by Rudolf Nureyev are starting. Before even thinking about dancing solo, young dancers need to merge into a broader movement moving in the same breat

Episode 1 - Classical Dancing

Budding stars, season 2 - ep. 1

Antonio, Marion, Pablo, Simon, Héloïse and Clémence prepare a performance played alternatively and including three choreographies by Jiří Kylián. Here the hierarchy of classical ballet does not matter; guest choreographers pick the dancers who play the soloist parts. Thus Antonio will work alongside prima ballerina Dorothée Gilbert in Tar and Feathers while Pablo and Simon will shine together in Bella Figura and Symphony of Psalms.Another relationship with dance is revealing itself. A coproduction ARTE France, SCHUCH Productions, the Paris Opera and NHK With the support of the Centre National du Cinéma et de l’image animée, the Région Île-de-France, the PROCIREP - Société des Producteurs and of the ANGOADirector: Françoise Marie © SCHUCH Productions – ARTE France – Opéra national de Paris – 2018

02 LIBERTE - Graines d Etoiles saison 2 episode 2

Graines d'Étoiles, saison 2 - Épisode 2 : La liberté d'être soi

Graines d'étoiles, saison 2 ép.2 - Trailer

Graines d'étoiles, saison 2 - Épisode 2 : La liberté d'être soi

Budding stars, season 2 - Episode 2: The Freedom of Being Oneself

Antonio, Marion, Pablo, Simon, Héloïse and Clémence prepare a performance played alternatively and including three choreographies by Jiří Kylián. Here the hierarchy of classical ballet does not matter; guest choreographers pick the dancers who play t

Episode 2 - The Freedom of Being Oneself

Budding stars, season 2 - ep. 2

Founded in 1780, the Paris Opera Ballet School trains the future dancers of the Ballet. Discover a selection of performances danced by the POBS students, including the Demonstrations staged to share with audiences their training in classical technique. This selection also includes documentaries about the School and its students.

Founded in 1780, the Paris Opera Ballet School trains the future dancers of the Ballet. Discover a selection of performances danced by the POBS studen