Symphonie n°3 en ré majeur, opus 29

Symphonie n°6 en si mineur, « Pathétique », opus 74

Symphony No. 3 in D major, opus 29 Symphony no. 6 in B minor, « Pathétique », opus 74 The Paris Opera OrchestraA co-production of the Opéra national de Paris, Telmondis and Mezzo With the participation of France Télévisions, the exceptional support of GRoW @ ANNENBERG and the support of the Orange Foundation, patron of the audiovisual retransmissions of the Opéra national de Paris and the Centre national du Cinéma et de l'Image Animée.Director: François-René Martin © Opéra national de Paris – Telmondis – Mezzo - 2018Picture: © Jean-François Leclercq / OnP

jordan

Symphonies n°3 et n°6 de Tchaïkovski 

Symphony No. 3 in D major, opus 29Symphony no. 6 in B minor, « Pathétique », opus 74 The Paris Opera Orchestra A co-production of the Opéra national de Paris, Telmondis and MezzoWith the participation of France Télévisions, the exceptional support of

Pyotr Ilyich Tchaikovsky

Symphonies n°3 and n°6 by Tchaikovsky

Pyotr Ilyich Tchaikovsky was born in 1840 in Votkinsk, a small town in the Urals. While studying law in Saint Petersburg, he took music classes at the Saint Petersburg Conservatory under composer and pianist Anton Rubinstein. In 1866, pianist Nikolaï Rubinstein, Anton’s brother, offered him a position as harmony teacher at the Moscow Conservatory. There, he met playwright Ostrovski who wrote his first opera libretto, The Voyevoda, and composed his first symphony. In 1876, Tchaikovsky initiated a sustained correspondence with Nadejda von Meck, a wealthy widow and great admirer of his music. Though they only wrote to each other and never met, she became his patroness for the next 13 years, which allowed him to focus exclusively on composition. In 1877, hoping to ease the inner conflicts caused by his homosexuality, he married Antonina Miliukova, one of his former students at the Moscow Conservatory, but the marriage was a disaster and left the composer on the verge of suicide. By 1880, Tchaikovsky had become famous: regarded as the ultimate nationalist musician, Tchaikosky spent his time between composition, numerous travels and a small estate he bought in the countryside. In 1891, he traveled to the United States and conducted several of his works at the inaugural concert of Carnegie Hall. He died in 1893 in Saint Petersburg. Although the official cause was cholera, many speculations were made about his death and some even thought of suicide. Tchaikovsky was an eclectic composer. A brilliant orchestrator, with a fine sense of melody, he composed in every musical genre, though he was particularly acknowledged for his symphonic works (the First Piano Concerto is one of the most played concertos in the world). He changed the way musicians regarded ballet by bringing a symphonic touch to a genre before seen as “inferior”. Mostly known in France for his ballets (Swan Lake, The Sleeping Beauty, The Nutcracker) and symphonies, Tchaikovsky composed a dozen operas (The Voyevoda, Iolanta, The Oprichnik, Vakula the Smith…). Among them, only Eugene Onegin and The Queen of Spades made their marks as long-lasted successes in Europe.

Coming from an artistic Swiss family, Philippe Jordan’s is regarded as one of the most established and important conductors of our time. He has been appointed Music Director of the Wiener Staatsoper beginning in September 2020. 
Jordan started his career at the age of 20 as musical director at Theater Ulm. In 1998 he became assistant to Daniel Barenboim at the Berlin State Opera. From 2001-2004 he was principal conductor of Graz Opera and the Graz Philharmonic Orchestra. During this period he also debuted at several of the world’s leading opera houses and festivals, for example the Metropolitan Opera New York, Royal Opera House Covent Garden, Teatro alla Scala, Bavarian State Opera, the Wiener Staatsoper and Festspielhaus Baden-Baden, and the festivals of Aix-en-Provence, Glyndebourne and Salzburg. From 2006-2010 Jordan returned to the Berlin State Opera as principal guest conductor. During this time he also appeared regularly in his hometown at the Zurich Opera. In the summer of 2012 Philippe Jordan debuted at the Bayreuth Festival. In Summer 2021, Philippe Jordan will leave his post as musical director of the Opéra national de Paris, which he has helmed since 2009. During his time as musical director in Paris he has conducted numerous premieres and revivals, including Moses und Aaron, La Damnation de Faust, Der Rosenkavalier, Samson et Dalila, Lohengrin, Don Carlos (French original version), Benvenuto Cellini, Bérénice and Les Troyens, Don Giovanni and the new production of Borodin’s Prince Igor. In his last season as musical director at Opéra national de Paris he will conduct Wagner’s “Ring” cycle in a concert version. 
As a symphonic conductor, Philippe Jordan has conducted the world’s most famous orchestras. He has also been principal conductor of the Wiener Symphoniker from 2014 to 2020. Together with the orchestra he has developed complete cycles of Schubert’s symphonies and Beethoven’s symphonies and piano concerti, and a cycle of J. S. Bach’s major masses and oratorios. In a three-part Bruckner project at the Wiener Musikverein, he performed the composer’s seventh, eighth and ninth symphonies in a contrast-filled dialogue with modern classics by Kurtág, Ligeti and Scelsi. For the Beethoven anniversary year, he also performed a reconstruction of the legendary Grand Concert of 22 December 1808 with performances in Paris and Vienna. 
His recording work with the Paris Opera Orchestra includes discs of Strauss’ Eine Alpensinfonie, Stravinski’s The Rite of Spring, Ravel’s Daphnis et Chloé, Verdi’s Requiem and Beethoven’s and Tchaikovsky’s Symphonies.

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