Description
"Unimaginable, because invisible, because immeasurable, because infinite, because eternal, because omnipresent, because almighty."
- Moses und Aron, Act I, scene 2“I have at last learned the lesson forced on me last year, and I shall not forget it. I am neither a German nor a European, and perhaps barely human, but I am a Jew.”
Despite having converted to Protestantism in his youth, Schönberg was the target of anti-Semitic attacks from 1921 onwards. Shaken by such virulence, he decided to return to his roots while developing a highly personalised interpretation of the Old Testament.
What initially started out as a cantata soon took on the dimensions of an oratorio. The project became a philosophical opera that pitted not only two brothers, Moses and Aron, against each other, but also radicalism and compromise, muddled discourse and lyric effusion to the backdrop of a fickle community personified by a particularly massive chorus.
“Oh word, word that I lack!” That last phrase, uttered by Moses, sums up the prophet’s tragic weakness but also expresses the composer’s inability to overcome his own contradictions.
Officially converting back to Judaism in Paris shortly before seeking refuge in the United States, the inventor of dodecaphonism was plagued by an almost existential inability during the last two decades of his life: that of completing Moses und Aron.
Philippe Jordan conducts this masterpiece along with the full musical forces of the Paris Opera and Romeo Castellucci makes his much awaited debut on the stage of the Opera Bastille.
Paris Opera Orchestra and Chorus
Maîtrise des Hauts-de-Seine / Paris Opera Children's Chorus
An ARTE France, Opéra national de Paris, BEL AIR MEDIA coproduction with the support of Fondation Orange, patron of the Opéra national de Paris audiovisual retransmissions and the Centre national du cinéma et de l'image animée.Moses und Aron - Arnold Schönberg © SCHOTT MUSIC, Mainz Germany
by permission of Alphonse Leduc Editions musicalesProduced by François Duplat and Laurent Métivier
Directed by François-René MartinARTE France - Opéra national de Paris - Bel Air Media / France 2016
Description
The burning bush: It is the intermediary by which the divine voice is expressed. It orders Moses to be his prophet and deliver the people of Israel.
Moses: Loosely based on the Pentateuch, Schönberg’s Moses is an inspired, solitary, intransigent man who finally admits his inability to convince the people of the power of the idea of “one God, eternal, omnipresent, invisible and inconceivable”.
Aron: In this work, the brother of Moses is a political figure. Despite his willingness to go along with the prophetic word which he translates for the people of Israel, initially by using miracles, he does not hesitate to seek compromise, even if it means accepting the base instincts of those who urge him to act in the absence of Moses. He is the representation of eloquence in the face of the “tragic” oratory of his brother.
The people of Israel: Deeply divided, the people wish to free themselves from the yoke of Pharaoh but are reluctant to convert to the unattainable single God proposed by Moses. Capricious and violent, they yearn to reach the Promised Land and finally recognise Aron as their guide.Description
Detail
00:00:01
Creatives
Music Arnold Schönberg
Libretto Arnold Schönberg
Director, set, costume and lighting design Choreography Cindy Van Acker
Artistic collaboration Dramaturgy Piersandra Di Matteo
Chorus master
Cast
Extras
Included with your purchase